Tuesday

Devil's Night, 2006

You remember Devil's Night, right?
I do. I remember hundreds of arsons on a single night several years in a row. It made Detroit look really shitty on the national news.
Detroit in the early 80s was no place for anybody.
I am often, when asked (not so often), found arguing that Devil's Night was a form of urban renewal in a city that wouldn't deal with it's plethora of abandoned buildings, which were being used as drug dens. Crack had just hit the city (thank you Young Boys Inc.). Kids used the extra land, as they'd use any land, post-fire or not as playgrounds once the city flattened a structure.
We, Detroit youth, were crafty that way, using anything flat to play football on. I remember playing tackle football on the island at Outer Drive by my friend John Yee's place. We played touch in the street, at least on Lorreto, and played full on tackle in the island of Outer Drive between Dickinson and Houtson-Whittier.
What they did on Dickinson when we weren't there is their own business.
We were kids, and my frame of this is heavily influenced by my kid frame. Sure some folks made money on their building's insurance and lit their building aflame, but if it [the arson] was something the city finally came around and made into a basketball court or flat field to play football on; what harm, really, to the neighborhood?
Insurance fraud hurts the insurance folk, but a place to play baseball enriches the neighborhood, n'est-ce pas?
For some reason the wiki link isn't working tonight but below is the article for Devil's Night:
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This article is about the Michigan cultural phenomenon.
Devil's Night is a name associated with October 30, the night before Halloween, particularly in and around Detroit, Michigan.
Devil's Night is a longstanding tradition predating World War II, with anecdotal incidents occurring as early as the 1930s. Traditionally, youths in the Detroit area engaged in a night of criminal behavior, which usually consisted of acts of vandalism (such as egging the homes of neighbors) in retaliation for real or perceived wrongs, or simply for the sake of the crime itself. In the early 1970s, the vandalism escalated to more severe acts such as setting vacant houses on fire. As these activities increased and the tradition gained notoriety, individuals including Detroit-area business owners, purportedly took advantage of Devil’s Night vandalism to collect on insurance policies by committing arson on their properties (i.e., setting fire to their own cars and/or businesses). These incidents were blamed on Devil's Night hooligans and added to the notoriety of the night.
Beginning in the 1970s, the crimes became more destructive in Detroit's inner-city neighborhoods, and included hundreds of acts of arson and vandalism every year. The destruction reached a peak in the mid- to late-1980s, with more than 800 fires set in 1984, and 500 to 800 fires in the three days and nights before Halloween in a typical year.
In 1995, Detroit city officials organized and created Angel's Night on and around October 30. Each year as many as 40,000 volunteers gather to patrol neighborhoods. Additionally, youth curfews as early as 6 p.m. are instituted on the days before Halloween. Since then, there has been a decline to 20 fires per day in the days around Halloween.
Devil's Night was chronicled in sociologist Ze'ev Chafets' 1991 book "Devil's Night and Other True Tales of Detroit," and fictionalized in the 1994 movie The Crow. The burning of an abandoned house featured in the movie "8 Mile," which starred Eminem and was set in his hometown of Detroit, and his rap group D12 named their first album after the night. While the term is still well-known by Michigan residents, the news media in Detroit currently refer to the event as Angel's Night to promote the efforts of the volunteers.
Devil's Night is now becoming popular in Ireland (where it is more commonly called Mischief Night), where youths are out of school for the week around Halloween. Many of the nights running up to October 31 are used by youths to commit acts of vandalism.
The name Devil's Night or Mischief Night is used by criminals in the eastern U.S. and Canada, although the acts are generally less destructive and violent than those committed in Detroit. A survey done in the United States shows the comparative popularity of various names for this night around the country.

October 30, 2006

Sha is on fieldtrip to the New Orleans-Mississippi Gulf area, which means that I have too much time to myself. Have practiced the toy accordion for the last hour and butchered Satie on both pianos in the joint. It also means that pulling out Okot p'Bitek's Song of Lawino & Song of Ocol is in order: long poems in the Ugandan oral song tradition put on the page. I will have more relevant things to say later after I've read it, but the hyper-awareness of colonialism (as expressed in & by the English language) is apparent from the opening handful of pages.

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October 30, 2006

Tell me this is a Halloween hoax, please.

Sunday

October 28th, 2006

The level of my disappointment in the Tiger's fielding . . . no need to finish that sentence. The question remains, now what do I do with myself in the studio if I'm not listening to hometown baseball coverage over the internet? This is serious: It throws the process all off. Listening to music isn't quite the same as listening to play-by-play and the extraneous banter of older men reminiscing about players and days I have never known. It's a weirdly active passive interaction with a shared historic cultural past, making the audience part of something greater and grander than the single game at hand.

October 28, 2006

Silverman just opned their gallery doors last night. They're at 2295 3d Street in SF.

*****
Me and My Rhythm Box
October 27 – December, 2006
Reception: October 27, 7pm followed by performance at 8pm and guest DJ.
Open Fridays 12 – 6pm and by appointment

Performance by artist Adrian Williams, titled The Ways and Woes of Christopher Walken.Performance will begin at 8:00pm

Silverman, a new gallery featuring work by young artists, is opening on 2295 Third with a group show that includes photography, collage, installation, drawing, video and performance. Dedicated to making unexpected juxtapositions and undermining our expectations Me and My Rhythm Box establishes a precedent for all future shows to come.

Liquid Sky, the film that inspired the title is an illusion of both character and fantasy, making it difficult to decipher an absolute truth. Collaboratively choosing the title, Me and My Rhythm Box, the artists and Silverman want to come out of the darkness into the light exposing their worlds. In this exhibition we are taking Me and My Rhythm Box as a reference to explore how artists create relationships with the world in order to redefine their place in it and to better inhabit it.

Artists Include: David Catherall, Domingo Molina Cortés, Martin Ebner, Lasse Schmidt Hansen, Tamara Henderson, Martin Hoener, Claire Hooper, Tom Humphreys, Peter Lütje, Michele Di Menna, Tris Vonna-Michell, Ariane Muller, Karl Orton, Anna Ostoya, Claus Richter, Lucie Stahl, Pernille Kapper Williams, Adrian Williams, Hendrik Zimmer.

In addition to the artwork Silverman will be selling smaller works both related and independent to the artists of Me and My Rhythm Box.

Thursday

October 25, 2006

The Stanford thing went 3/4.
It was supposed to be an integral part of the 24 hour Chicago Calling Arts Fest event that was happening in Chicago at the same time. Luckily [is the wrong word, as the tech behind it seemed extremely complicated], Stanford, Alaska & UCSD all got connected, but somehow Northwestern wasn't up to their end, and Chicago was left out. This defeated the purpose a tad, but we decided to do a coastal performance, and I got to perform at Stanford with folks in Alaska and San Diego simultaneously.
Not bad, and looks good on the vita.

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Wednesday

October 24, 2006

Ionesco hinted at but never directly posed the question in Notes and Counter Notes: At what point in your avant-gardist career, if you have moderate or better success (get taught at universities, et cetera), should you stop refering to yourself as avant-anything?

Tuesday

October 24, 2006

The schedule for tomorrow's remote site segment of the Chicago Calling Arts Festival (all times are Chicago time, West Coast subtract two hours, 7-9):

9:00-11:00 p.m. Loyola University, Lake Shore Campus Quinlan Life & Science Center, room 142, 6525 N. Sheridan Rd. This performance event involves improvisation with musicians and poets at Stanford University, The University of California at San Diego, and TheUniversity of Alaska at Fairbanks, through Internet 2. Christopher Sorg is facilitating the technical side of this performance event, which makes the internet connection possible.

at Loyola University:Fred Anderson -- tenor saxophone Jim Baker -- keyboard & electronics Mars Williams -- saxophones Josh Abrams -- double bass Joshua Manchester -- percussion

at Stanford University: Eric Glick Rieman -- prepared Fender Rhodes David Harrison Horton -- poetry Jim Ryan -- saxophones Chris Chafe -- laptop

at The University of Alaska at Fairbanks:Scott Deal -- percussion at The University of California at San Diego:Lisa Hemminger -- poetryJames Ilgenfritz -- double bassGrace Leslie -- flute

9:00 introductions
9:03 Fred Anderson, Josh Abrams, Eric Glick Rieman, Scott Deal, Mars Williams
9:07 Fred Anderson, James Ilgenfritz, Scott Deal
9:11 Mars Williams, Joshua Manchester, Lisa Hemminger, Jim Baker, Grace Leslie
9:15 Joshua Manchester, Lisa Hemminger, Jim Baker
9:19 Fred Anderson, Josh Abrams, Grace Leslie, Chris Chafe, David Harrison Horton
9:23 Fred Anderson, Josh Abrams, Jim Ryan
9:27 Chris Chafe, David Harrison Horton, Josh Abrams, Mars Williams, James Ilgenfritz
9:31 Mars Williams, Josh Abrams, Eric Glick Rieman
9:35 Eric Glick Rieman, James Ilgenfritz, Jim Ryan, Grace Leslie
9:39 Jim Ryan, Jim Baker, Scott Deal, Fred Anderson
9:43 James Ilgenfritz, Josh Abrams, Eric Glick Rieman, Jim Ryan
9:47 Chris Chafe, Joshua Manchester, Scott Deal, Eric Glick Rieman
9:51 Scott Deal, Joshua Manchester, Jim Ryan, Fred Anderson
9:54 everyone
10:00 3 minute break
10:03 Joshua Manchester & Scott Deal duet
10:11 Lisa Hemminger, Jim Baker, Fred Anderson, Grace Leslie
10:15 David Harrison Horton, Eric Glick Rieman, Scott Deal, Chris Chafe

Monday

October 22, 2006

October 22, 2006

Also started to read Frantz Fanon's Black Skin White Mask. First published in 1967, the first chapter on language, colonialism and acceptance still rings true: "A man who has a language consequently posesses the world expressed and implied by that language. What we are getting at becomes plain: Mastery of language affords remarkable power" (18).

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October 22, 2006

Woke up at four and watched a really bad flick in which the director wanted James Belushi to actually act, also featuring an aged Liza Minelli. I came in half-way, so channel 7 never bothered to inform me what the movie was. It'll always be that bad James Belushi flick with Liza Minelli, to differentiate it somehow from the others.
But did get to catch all the early Sunday morning political shows, including GW Bush with George Stephanopoulos. A total puppet show. Even though GS gave John Kerry double the time to respond to the president's interview, it all seemed so utterly staged that it was bad, worse than small Midwestern town dinner theater, theater (a runing theme for Sunday mornings apparently).
But whatever. My back bike tire has a slow leak, and that requires immediate action as I don't drive.
Thinking later of watching Bumming in Beijing, after we (Sha & I) clean the studio and do some laundry.

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Saturday

October 20, 2006

Michael Martin Day, China's Second World of Poetry: The Sichuan Avant-Garde, 1982-1992
available as pdf here.

Table of Contents
Chapter 1: Avant-Garde Poetry Nationwide – A Brief Overview (p. 18)
Chapter 2: Zhou Lunyou: Underground Poetry during the 1970s (35)
Chapter 3: The Born-Again Forest: An Early Publication (46)
Chapter 4: Macho Men or Poets Errant? (79)
Poetry on University Campuses (79)
A Third Generation (82)
Hu Dong, Wan Xia, and Macho Men (88)
Li Yawei (99)
Ma Song (103)
Finishing with University (107)
Chapter 5: A Confluence of Interests: The Institution of the Anti-Institutional (114)
Setting the Scene (114)
The Establishment of the Sichuan Young Poets Association (123)
The First Product of the Association: Modernists Federation (130)
Chapter 6: The Poetry of Modernists Federation (136)
Chapter 7: Make It New and Chinese Contemporary Experimental Poetry (169)
Growing Ties and a Setback (170)
Day By Day Make It New and the Makings of an Unofficial Avant-Garde Polemic (180)
Experimental Poetry: A Final Joint Action (195)
Chapter 8: Moving into the Public Eye: A Grand Exhibition (216)
Public Acceptance of Modernization and Marginalization (217)
The Poetry of Zhai Yongming (226)
The Poetry and Poetry Criticism of Ouyang Jianghe (238)
The Activities and Poetry of Liao Yiwu (248)
Chapter 9: Han Poetry, The Red Flag, and The Woman’s Poetry Paper (268)
Han Poetry (270)
The Red Flag (284)
The Woman’s Poetry Paper and Xichang (295)
Chapter 10: Not-Not (303)
Not-Not Theory, Name, and Formation (304)
The Poetry of Not-Not (322)
Chapter 11: After June Fourth 1989: In the Shadow of Death (347)
Liao Yiwu and (349)
Zhou Lunyou’s Prison Poetry (357)
Haizi: A New Martyr for the Avant-Garde (363)
New Journals and a New Poetry (369)
Chapter 12: A Struggle for Survival (383)
The Public Disappearance of the Avant-Garde (384)
Unofficial Poetry Journals – 1990-1992 (389)
The Poetry of 1990-1992 (401)
Epilogue (425)
Glossary of Chinese Names (with biographical details) (433)
Bibliography: Official Publications of Sichuan Poets (443)
Unofficial Publications of Sichuan Poets (488)
Secondary Sources and Translations (505)
Sichuan Unofficial Journal List and List of Major Sichuan Avant-Garde Poets and the Journals their work can be found in (562)
A Timeline For Chinese Poetry (565)

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October 20, 2006

Index of Chinese sound files here. Beijing opera & poems.

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Friday

October 19, 2006

New York Times on Wang Hui, one of China's top intellectual critics

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Chicago Calling

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Poetry Bus on the West Coast

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Canadian Poetry Archive

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Poetry Africa Festival

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Poetry Translation Center

Tuesday

October 16, 2006

Your Linguistic Profile:
70% General American English
20% Upper Midwestern
5% Midwestern
0% Dixie
0% Yankee

Monday

October 16, 2006



I can't wear my Tigers cap in my East Oakland neighborhood without getting harassed--which I understand. But c'mon. At least I actually went to A's games during the regular season. Empty mid-season seat says you didn't.

October 15, 2006

Hitting mid-semester snag, lack of enthusiasm, late-night paper grading enduced stupor... Thinking to myself, man, you could pass the civil servant exam and be a mailman. There's more money in it than the current gig, and you could go home after hours and have worker's play time like Billy Bragg used to sing about. Then Jorge, ever diligent, reminded me of the goodness of my gig and threw out Bukowski as a perfectly disgruntled example of the modern American postal worker (twice disgruntled).
By happen-chance got Bukowski at Bellevue, filmed 1970, in Netflix mail the day before and decided to watch. B&W on what must've been the first generation of video recorder: crappy but to interesting effects. Bukowski here is shot as a real poet and given that consideration rather than focusing on/buying into the tough/drunk etc. that later features...well...feature. Poet versus the (self-made?) myth. And the poems stand, the stronger at least, and the kids look somewhat bored (or is that what paying attention looks like?) and yes, Mr. Sakkis, they tried to shoot at least one of the women in the audience sexy.

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Sunday

October 7, 2006


21 Grand's 'Illuminated Corridors' project demonstrates an Oaklandish vitality that the recent Yerba Buena exhibit didn't quite capture. Multiple simultaneous projections and musical ensembles (coteries?) set up in a very DIY fashion, showing video against the backdrop of city buildings and transmitting sound waves down 25th for all to hear. The mission statement reads guerrilla: "the Illuminated Corridor is always seeking to collaborate with intermedia artists and engage with communities in the reclamation of public space." Engaged, inclusive, creative re-use of urban resources.
Or you could pay $20 to go to Burning Man's 'Decompression 2006' in San Francisco tomorrow where the back of the postcard doubles as a rule book: "Dont bring renegade sound systems or unauthorized fine art. None!"

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October 7, 2006




Thursday

October 4, 2006

Wednesday

October 3, 2006


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Monday

October 1, 2006

So I have some work in the Pulsar exhibition in Caracas, but probably wont be able to go for financials, as I've already committed to the NADA show in Miami (thanks Legion), and my school won't let me know about travel funds for a while.
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Dan Godston in Chicago is cooking up some interesting stuff with the Chicago Calling festival he's helping put together.
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Wang Shouren & Zhao Wenshu's reading of the movie Hero is easily countered by asserting that the movie argues that a bad ruler who is able to dominate and impose a peace should be followed for the social security he will bring. Social security being better than good leadership (which has unmistakable modern day Party propoaganda elements to it). See "China's Peaceful Rise: A Cultural Alternative," Boundary 2 33.2 (2006): 117-27.
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Professor strips off while giving art lecture
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a new Robert Frost poem discovered
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David Lynch in the NYT
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Juliana Spahr & Stephanie Young, "foulipo (talk for CalArts Noulipo Conference, Fall 2005)"